![]() ![]() Its focus is primarily on a specific dramaturgy of sound that, rather than helping to reveal the plot of a literary text, reads/writes another type of text by the temporal and spatial disposition of oral acts and aural objects as elements of performance. Making the case that the historical avant-garde initiated a new, hybridized concept of the arts that has become a hallmark of the dramaturgy and performance style of postdramatic theatre, it discusses contemporary theatricality in light of the principles and methods of sound poetry, painting, and music. ![]() This book explores the orality/aurality of theatre performance and in accord with its subject - theatrical sound as an intermedial, fluid, and multi-faceted phenomenon - necessarily adopts a multidisciplinary approach. ![]()
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